Re the talk on
Sparrow's blog I remembered this: On a show called "Bar Rescue" that hubs likes, guy says, "Look, I put this bottle of $400 wine on your menu. Now, nobody's gonna buy a $400 bottle of wine, right? But suddenly, the $80 one doesn't look so bad."

Pretty sneaky. So I'm introducing some "show pieces" with just tons of fancy and rare bits... OK, Ok. They were already in the works, I just happened to have finished them right in time for this conversation.
Thing is now I have to be chill with the idea that these are going to sit there being show pieces and not necessarily sell. And that's my problem. I never think a piece is successful until
after it's been purchased.

Cuz I'm nuts. And another thing! Have you noticed how easy it is to tell a fellow artist to raise her prices but then how hard it is to do it yourself? At least that's how it is for me.

Is it because I'm always wanting to get rid of everything I make as fast as possible? And is
that because I only think a piece successful if it sells? Whatever. How much should I price these for? You
gais! The thought of charging what I "should" (supplies x3 x labor + time of the month divided by purple....) makes me scared.
I had this piece up ages ago. I leafed the Indian wood block stamp and am putting it back up. It's an odd one.


I recently stumbled upon myself in someone's old pin somewhere which said, "fancifuldevices puts together some of the strangest necklaces I've ever seen." That was right from the time I made this one. It made me very happy to hear. Of course I never set about trying to be strange. These things have an interior logic that is perfectly evident to me. Not in a throw-it-on-for-everyday-wear type of logic. More of a magical-key-to-an-imaginary-realm kind of logic.
The tigereye pendant isn't reading so well in these pictures. Or is it? Idk.
But look, a warped pin by Numinosity, a cap-like thing by greybird, a bird bit SacredCake sent me, pearls, rough garnet, bronze skulls, yak bone... A calendar and a round piece of found steel from the desert for layering that I jazzed up with some Gilder's. And a star! That used to be a ribbon slide but I cut the bar out of.
Phew, what's next? This round... ameth...jasp...dyed...stone of some sort with kuchi pendant, Hebron glass, African glass and some leafing. A singlette.

Another brooch since that last one disappeared before I could realize I'd rather underpriced it. This one's gonna be
one million dollars!
I'm sorta digging lilac lately. Lilac and gold.
Look at it. Loooook.... Two little rings that I had leftover from that one piece. Leafed beach stone and shell.
I keep telling myself just as soon as I'm done with this batch of makies I'll jump right on that tute. Quick like a bunny! No wait. I've never said "quick like a bunny" to myself. But it's really hard to get into such a different mind set.
Since I was just showing off some supplies look what I just got from
4ophelia:
Leetle earring post cups with white enameling. Squee!
Rough and gorgeous ring base I'm gonna oxidize and maybe use in my tute.
Oh! Oh! See the color of these cabs? They are clear but the bottoms are leafed! I'm sure I read that in the description but it didn't really register. What this means is there's all this dimensional ... yumminess going on. And bangle pins. They can serve as dangles or the beginnings of links.
But the best were these rough metal enameled triangles. What oh what shall I do with them? They make my head spin.
Joiji is a creative dynamo.






Das all.